The show was set up to automatically start playing every hour, on the hour. The company has developed a special system using cameras and beacons that can track objects across both 3D and 6D (taking into account the yaw, pitch and roll of the object), and then supply that information to other systems, such as sound, media controllers, lighting or cameras.Įight Robe DL7S Profile moving light fixtures were also linked to the BlackTrax positional data, programmed by Painting With Light’s Niels Huybrechts. “So having a team with the right skillsets and synergies was essential to produce a great result for the client.”Īt the core of the show was real-time tracking specialist BlackTrax. “It was a complicated show to calibrate and get the mapping just right and we took on a few risks in the process,” he explained. Michael Al Far is Painting With Light’s content video producer and and worked together with director Frank Dewulf and visual artist Marco De Ruyck to create the visuals for the show. Themed around a magic show, the performance made use of projection mapping to bring images and real life together, with a dose of playful humour that worked across languages. Painting With Light's creative director Luc Peumans initiated the idea of simultaneous tracking and projecting onto multiple objects. The event stage was custom designed to fit into one corner of the Panasonic stand, with a large curved screen, straight back wall and stage floor all serving as projection surfaces. "It was a complicated show to calibrate and get the mapping just right" Together with Panasonic, the company partnered with a number of other specialists to develop the show. International creative design practice Painting with Light was tasked to come up with the concept for the show, and design the visual art and choreography. The performance highlighted the capability of Panasonic’s large venue projectors, making use of fourteen in a magic routine which took place on the hour, every hour throughout the day.
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